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  • Published on: 2004
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Sabtu, 26 Juli 2014

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Jumat, 18 Juli 2014

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Asia has a long history of preparation and consumption of various types of ethnic fermented foods and alcoholic beverages based on available raw substrates of plant or animal sources and also depending on agro-climatic conditions of the regions. Diversity of functional microorganisms in Asian ethnic fermented foods and alcoholic beverages consists of bacteria (Lactic acid bacteria and Bacillus species, micrococcii, etc.), amylolytic and alcohol-producing yeasts and filamentous moulds. Though there are hundreds of research articles, review papers, and limited books on fermented foods and beverages, the present book: Ethnic Fermented Foods and Alcoholic Beverages of Asia is the first of this kind on compilation of various ethnic fermented foods and alcoholic beverages of Asia. This book has fifteen chapters covering different types of ethnic fermented foods and alcoholic beverages of Asia. Some of the authors are well-known scientists and researchers with vast experiences in the field of fermented foods and beverages who include Prof. Tek Chand Bhalla, Dr. Namrata Thapa (India), Prof. Yearul Kabir and Dr. Mahmud Hossain (Bangladesh), Prof. Tika Karki (Nepal), Dr. Saeed Akhtar (Pakistan), Prof. Sagarika Ekanayake (Sri Lanka), Dr. Werasit Sanpamongkolchai (Thailand), Prof. Sh. Demberel (Mongolia), Dr. Yoshiaki Kitamura, Dr. Ken-Ichi Kusumoto, Dr. Yukio Magariyama, Dr. Tetsuya Oguma, Dr. Toshiro Nagai, Dr. Soichi Furukawa, Dr. Chise Suzuki, Dr. Masataka Satomi, Dr. Kazunori Takamine, Dr. Naonori Tamaki and Dr. Sota Yamamoto (Japan), Prof. Dong-Hwa Shin, Prof. Cherl-Ho Lee, Dr. Young-Myoung Kim, Dr. Wan-Soo Park Dr. Jae-Ho Kim (South Korea) Dr. Maryam Tajabadi Ebrahimi (Iran), Dr. Francisco B. Elegado (Philippines), Prof. Ingrid Suryanti Surono (Indonesia), Dr. Vu Nguyen Thanh (Vietnam). Researchers, students, teachers, nutritionists, dieticians, food entrepreneurs, agriculturalist, government policy makers, ethnologists, sociologists and electronic media persons may read this book who keep interest on biological importance of Asian fermented foods and beverages.

  • Sales Rank: #1787045 in Books
  • Published on: 2016-08-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .0" w x 7.00" l, .0 pounds
  • Binding: Hardcover
  • 409 pages

From the Back Cover
Asia has a long history of preparation and consumption of various types of ethnic fermented foods and alcoholic beverages based on available raw substrates of plant or animal sources and also depending on agro-climatic conditions of the regions. Diversity of functional microorganisms in Asian ethnic fermented foods and alcoholic beverages consists of bacteria (Lactic acid bacteria and Bacillus species, micrococcii, etc.), amylolytic and alcohol-producing yeasts and filamentous moulds. Though there are hundreds of research articles, review papers, and limited books on fermented foods and beverages, the present book: Ethnic Fermented Foods and Alcoholic Beverages of Asia is the first of this kind on compilation of various ethnic fermented foods and alcoholic beverages of Asia. This book has fifteen chapters covering different types of ethnic fermented foods and alcoholic beverages of Asia. Some of the authors are well-known scientists and researchers with vast experiences in the field of fermented foods and beverages who include Prof. Tek Chand Bhalla, Dr. Namrata Thapa (India), Prof. Yearul Kabir and Dr. Mahmud Hossain (Bangladesh), Prof. Tika Karki (Nepal), Dr. Saeed Akhtar (Pakistan), Prof. Sagarika Ekanayake (Sri Lanka), Dr. Werasit Sanpamongkolchai (Thailand), Prof. Sh. Demberel (Mongolia), Dr. Yoshiaki Kitamura, Dr. Ken-Ichi Kusumoto, Dr. Yukio Magariyama, Dr. Tetsuya Oguma, Dr. Toshiro Nagai, Dr. Soichi Furukawa, Dr. Chise Suzuki, Dr. Masataka Satomi, Dr. Kazunori Takamine, Dr. Naonori Tamaki and Dr. Sota Yamamoto (Japan), Prof. Dong-Hwa Shin, Prof. Cherl-Ho Lee, Dr. Young-Myoung Kim, Dr. Wan-Soo Park Dr. Jae-Ho Kim (South Korea) Dr. Maryam Tajabadi Ebrahimi (Iran), Dr. Francisco B. Elegado (Philippines), Prof. Ingrid Suryanti Surono (Indonesia), Dr. Vu Nguyen Thanh (Vietnam). Researchers, students, teachers, nutritionists, dieticians, food entrepreneurs, agriculturalist, government policy makers, ethnologists, sociologists and electronic media persons may read this book who keep interest on biological importance of Asian fermented foods and beverages.

About the Author

Professor Dr. Jyoti Prakash Tamang is one of the authorities of global fermented foods and beverages for last 28 years. He did Ph.D. in Microbiology from North Bengal University, India in 1992, Post-doc research works from National Food Research Institute, Tsukuba, Japan in 1995, and Institute of Hygiene and Toxicology, Germany in 2002. He was awarded the prestigious National Bioscience Award of Department of Biotechnology by Government of India in 2005, and Gourmand Best Cookbook Award of Paris in 2010. He is a Fellow of National Academy of Agricultural Sciences (2012), Fellow of Indian Academy of Microbiological Sciences (2010), and Fellow of Biotech Research Society of India (2006). He has published more than 135 research papers, and authored several books including (1) Himalayan Fermented Foods: Microbiology, Nutrition, and Ethnic Values (2010), (2) Fermented Foods and Beverages of the World (2011) and (3) Health Benefits of Fermented Foods and Beverages< (2015) all published by CRC Press, Taylor & Francis Group, USA. He has one patent, and has produced several Ph.D. students. He is a member of several prestigious national and international academics including International Yeast Commission, Asian Federation of Lactic Acid Bacteria, etc. Prof. Tamang is a senior Professor in Department of Microbiology and also Dean of School of Life Sciences of Sikkim University, a national university at Gangtok, India.�

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Minggu, 13 Juli 2014

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  • Sales Rank: #1895332 in Books
  • Brand: Hyperion
  • Model: 9781423121718
  • Published on: 2010
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.32" h x .98" w x 5.75" l, .0 pounds
  • Binding: Hardcover
  • 160 pages

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Jumat, 11 Juli 2014

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There is no greater enigma than Rick Rubin working in record production today. As mysterious personally as the Buddhist religion he practices, Rubin has made one thing crystal clear: the records he produces are sonically and stylistically beyond reproach. MTV has called Rubin “the most important producer of the last 20 years,” while Rolling Stone ventured even further, deeming Rubin the most successful “of any genre.” Without a niche, Rubin has taken greater risks than any producer in the record industry over the past quarter century. Pushing his artists into new territory has garnered Rubin seven Grammys, including Producer of the Year in 2007, and made him the most in-demand record producer working today. Now for the first time, Rick Rubin: In the Studio offers the behind-the-scenes stories of how Rubin created hit albums with such diverse legends as the Red Hot Chili Peppers, Run DMC, Johnny Cash, the Beastie Boys, Audioslave, Tom Petty, Metallica, Danzig, Slayer, LL Cool J, The Cult, Weezer, the Dixie Chicks, Linkin Park, System of a Down, Rage Against the Machine, Jay Z, Neil Diamond, Sheryl Crow, and Slipknot. This book chronicles his meteoric rise, from his early days as DJ Double R in the early ’80s, founding and running Def Jam Records alongside Russell Simmons from an NYU dorm room, discovering and producing the Beastie Boys and LL Cool J, to his transition in the early ’90s into a successful independent record executive, signing and producing the Red Hot Chili Peppers and Johnny Cash, to his role as the most influential producer of all time (currently as the co-head of Columbia Records), and his continued successes with rock/metal supergroups Audioslave, Linkin Park, and Metallica. This in-depth look at the life and times of Rick Rubin — in the studio and beyond — is a must-have for any music fan.

  • Sales Rank: #77531 in Books
  • Brand: Brand: ECW Press
  • Published on: 2009-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .65" w x 6.48" l, .94 pounds
  • Binding: Paperback
  • 232 pages
Features
  • Used Book in Good Condition

Review

"With his great beard, Rick Rubin looks as if he could be the lost member of ZZ Top. In reality, he's a music exec of historic proportions—he founded Def Jam Records—and one of the top producers of our times. The artists he's worked with range from Run-DMC to Johnny Cash. Brown, a Nashville-based music biographer, didn't speak with Rubin, but he did get stories from some of the musicians he produced, bringing readers into the studio for some of the last 25 years' most influential and best-loved albums."� —New York Post



"Brown's writing style here is likewise breezy and easy to follow, particularly given all the studio details. For students of the recording process, I can't imagine coming across a better read than this one."� —Blogcritics.org

"It's all here in the only biography available. The author has done an admirable job of assessing Rubin's career without muddying it up with too much sideline rah-rahing."� —Curled Up With a Good Book (www.curledup.com)



"Appealing to musicians old and new, Rick Rubin: In the Studio is not only a great read, but also a great textbook for anyone interested in a career in music."� —Abort Magazine

"A smooth read with enough musical jargon to satisfy the musician's curiosity while not overwhelming the folks just looking for a good biography."� —Synthesis

"The story of a true auteur of the recording studio control room . . . an inspirational read for everyone interested in all that goes into the production of great records."� —Music Connection



"Pure insight into a genius mind . . . If you are someone who followed the Chili Peppers, Cash, Audioslave, Petty, Metallica, Danzig, Slayer, The Cult, Weezer, the Chicks, Linkin Park, System of a Down or even Neil Diamond, here's a great place to glean great insight into their studio approaches."� —Wrestling Observer/Figure Four Online

About the Author
Jake Brown is the owner of Versailles Records and the author of 16 books, including Dr. Dre: In the Studio, Heart: In the Studio, and Suge Knight: The Rise, Fall and Rise of Death Row Records. He lives in Nashville, Tennessee.

Excerpt. � Reprinted by permission. All rights reserved.
There is no greater an enigma than Rick Rubin working in record production today, but one thing is crystal clear: the records he produces are sonically and stylistically beyond reproach. Rubin has rejected the comfort and complacency of working in a niche, instead taking on artistic collaborations that are truly original and which often lead the artists to their first commercial or critical breakthrough. His career began in hip hop; Rubin co–founded Def Jam Records with Russell Simmons in 1984, producing LL Cool J’s Radio and the seminal 1986 Beastie Boys album Licensed to Ill, not only rap’s first number one album, but also widely credited for launching hip hop as a viable commercial medium. Not only a producer who could launch new groups, Rubin proved early on in his career that he had an ability to breathe new life into old acts, giving Aerosmith a new chapter in their history with &lquo;Walk This Way,&rquo; their Run–DMC collaboration.

Refusing to play it safe, Rubin jumped ship from rap to metal, leaving Def Jam to found his own label, Def American, where he signed and produced groundbreaking acts like Danzig and Slayer. His eclectic taste was nowhere better reflected than in 1987’s Less Than Zero soundtrack. Rubin also proved his mettle as a top A&R man, executive–producing controversial but commercially successful acts like Public Enemy, the Geto Boys, and comedian Andrew Dice Clay. After his work on the hugely successful and critically acclaimed Blood Sugar Sex Magik, Rubin was only seven years into his career and already a living legend for his ability to break a band like the Red Hot Chili Peppers into the mainstream while respecting their musical roots and simultaneously pushing them to new heights. Though he worked with legends like Mick Jagger, AC/DC, and Tom Petty in the early 1990s, it was his recordings with Johnny Cash that still stand out as his most astonishing and studied collaboration. A partnership that began in 1993, it gave Cash renewed credibility and its commercial success allowed Rubin to be selective about who he worked with, choosing diverse artists like Donovan, Rancid, Sheryl Crow, and System of a Down and returning to those he’d produced before, most notably on the Red Hot Chili Peppers’ Californication.

By the turn of the century, Rubin had invented, reinvented, or re – defined so many musical genres that there was no way to categorize his style — every producer’s dream. Despite Rubin’s stoic persona, the critics had caught on to the producer’s legacy in the making, with USA Today commenting, &lquo;Rick Rubin may be as impossible to pigeonhole as the starry and swollen catalog of music he has produced,&rquo; Rolling Stone singling him out as &lquo;the most successful producer of any genre,&rquo; and Esquire concluding that there were &lquo;four words we trust: Produced by Rick Rubin.&rquo; But the praise and album sales didn’t shake Rubin’s focus as he dedicated himself to artist after artist. In 2002, the Rubin produced Audioslave debut was released and once again he had helped to launch a new statement in rock ’n’ roll: the supergroup. By 2005, MTV would hail him as &lquo;the most important producer of the last 20 years,&rquo; and Rick Rubin continued to live up to that title, by resurrecting the career of pop–crooning legend Neil Diamond, helping to shape the solo career of Justin Timberlake, and working with the Dixie Chicks on their comeback album, Taking the Long Way. Grammy nominations and awards poured in as 2007 began, including a Producer of the Year win, but Rick Rubin, workaholic and recluse, found himself too busy to attend, hard at work on Linkin Park’s Minutes to Midnight. Not surprisingly, that album was a massive critical and commercial success upon its release. Rubin had already turned his sights to what some argued would be his greatest challenges yet: producing heavy metal monsters Metallica and taking a new position as head of Columbia Records.

As this generation’s most legendary record man remains focused on the future of a business he has been instrumental in revolutionizing, Rick Rubin: In the Studio looks back at more than two decades of sonic supremacy, offering the stories behind volume one of Rubin’s greatest hits.

Most helpful customer reviews

9 of 9 people found the following review helpful.
So-So
By Nolander
This book contains no interviews or quotes from Rick Rubin. It's pretty much just a summary of his work. It's not very in-depth regarding his recording process, which is what I was hoping for. It more just catalogues the producer's career. The same information can be found for free on Wikipedia.

4 of 4 people found the following review helpful.
press clippings
By David Rosen
this is just pulled together from press clipping and such. little insight and a bit boring. surprising because rubin is such a fascinating character. some good historical background and little else.

1 of 1 people found the following review helpful.
but then is not too much written about Rick Rubin and just words from interviews from musicians from bands like RHCP and talking
By bronson_GZ
The book starts OK, but then is not too much written about Rick Rubin and just words from interviews from musicians from bands like RHCP and talking about their own stuff and not the relationship with Mr Rubin in the studio.
So, I`m dissapointed with half of the book.

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Senin, 07 Juli 2014

[A209.Ebook] PDF Download Laws Guide to Nature Drawing and Journaling, The, by John Muir Laws

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Laws Guide to Nature Drawing and Journaling, The, by John Muir Laws

The ultimate guide to nature drawing and journaling

2016 Foreword INDIES finalist! A potent combination of art, science, and boundless enthusiasm, the latest art instruction book from John Muir Laws is a how-to guide for becoming a better artist and a more attentive naturalist. In straightforward text complemented by step-by-step illustrations, dozens of exercises lead the hand and mind through creating accurate reproductions of plants and animals as well as landscapes, skies, and more. Laws provides clear, practical advice for every step of the process for artists at every level, from the basics of choosing supplies to advanced techniques. While the book's advice will improve the skills of already accomplished artists, the emphasis on seeing, learning, and feeling will make this book valuable even revelatory to anyone interested in the natural world, no matter how rudimentary their artistic abilities.

Also available: The Laws Sketchbook for Nature Journaling, a blank journal constructed to withstand excursions in the field and containing several exercises from The Laws Guide to Nature Drawing and Journaling.

  • Sales Rank: #4342 in Books
  • Published on: 2016-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.40" w x 8.50" l, .0 pounds
  • Binding: Paperback
  • 312 pages

Review
“Holds strong crossover appeal among environmentalism, earth sciences, hiking, and art instruction.” --Heather Halliday, Library Journal

“This beautiful art book will teach you how to be 'still, quiet, and attentive...to organize your thoughts, piece together answers, and ask richer questions.' The overall goal is to stimulate your curiosity, and you won't find a better guide.” --Foreword Reviews

“More than anything a thorough instructional guide to thinking like a naturalist—Laws is, after all, one of the world's foremost naturalists.” --Tamira Jones, Earth Island Journal

“Those new to drawing and journaling will find it an amazing resource, while veteran creators will appreciate the depth and specificity of Laws tips and hacks. All, however, will find inspiration this book will elevate the wonder that lies in us all.” --Kim Wyatt, Lake Tahoe News

“☆☆☆☆☆” --Kids' BookBuzz

“The definitive guide to nature journaling.” --Nancy H. DeStefanis, The Blue Heron

“An outstanding survey, highly recommended for aspiring nature artists who want details on how to use journaling and art to best advantage.” --Midwest Book Review

From the Inside Flap
A potent combination of art, science, and boundless enthusiasm, the latest art instruction book from John Muir Laws (The Laws Guide to Drawing Birds) is a how-to guide for becoming a better artist and a more attentive naturalist. In straightforward text complemented by step-by-step illustrations, dozens of exercises lead the hand and mind through creating accurate reproductions of plants and animals as well as landscapes, skies, and more. Laws provides clear, practical advice for every step of the process for artists at every level, from the basics of choosing supplies to advanced techniques. While the book's advice will improve the skills of already accomplished artists, the emphasis on seeing, learning, and feeling will make this book valuableeven revelatoryto anyone interested in the natural world, no matter how rudimentary their artistic abilities. A sketchbook, constructed to withstand excursions in the field and containing several exercises from The Laws Guide to Nature Drawing and Journaling, is also available.

About the Author
John Muir Laws is a naturalist, educator, and artist, with degrees in conservation and resource studies from the University of California, Berkeley; in wildlife biology from the University of Montana, Missoula; and in scientific illustration from the University of California, Santa Cruz. Near his home in the San Francisco Bay Area he leads the Nature Journal Club, offering free monthly workshops and field trips to a vibrant community of artists, explorers, naturalists, and poets. He is a research and education associate of the California Academy of Sciences and a TogetherGreen Conservation Leadership Fellow of the National Audubon Society.

Most helpful customer reviews

99 of 101 people found the following review helpful.
A Unique and Valuable Resource for Nature Field Journaling
By R Page
I originally purchased this book to have easy access to the information on John Muir Laws blog and in the videos.

First impressions: This book is stunning. About the size of a phone book, it has a sewn binding and lays flat. The graphic layout work in the book is the best I've seen, and the authors and publishers went to great lengths to keep the book exceptionally well organized. If you have a fondness for quality and attention to detail, this guide will set off all the happy buzzers in your brain.

I normally do "what I liked/what I didn't like" format for my reviews. For this volume, I'll simply list the features that are unique and note the one or two things I wish had been handled differently -- there is nothing to "not like" about this Guide.

Unique Features:

1. I believe the strength of John Muir Laws blog, classes, and books lies in the fact that he is dyslexic. He is the "best science teacher I never had" because he always finds a way to show instead of tell information. He then works in tandem with people whose strength lies in words, and produces a home run every. single. time. This book is no exception. Expect every principle to be explained and illustrated thoroughly for both halves of your brain. I was particularly impressed with Emilie's ability as a writer to present a single voice throughout the book. Having read the blog, I recognize Jack's voice, but she lends a harmony and richness that is strikingly beautiful.
2. Each section of the book stands alone. If an illustration was needed to demonstrate "blocking in", the publisher didn't refer you to another page, they simply added another full page illustration. As an educator (B.S., Science Ed; home educator for 20 years) I appreciated that major concepts were presented more than once because of this feature. Many books are edited for redundancy and lose their educational value as a result.
3. Observations from the portion of the book on how/why to keep a nature journal.
~ The writing is passionate and infectious -- Jack and Emilie have you longing to go out and journal after just reading a few paragraphs.
~ He doesn't just provide a checklist of questions, he demonstrates the natural flow of questions that arise during a field investigation by including photos from his own field journal.
~ I particularly enjoyed the section on "How to Think Like A Naturalist and Scientist"
4. Projects that Focus Awareness is probably my favorite chapter in the book. Using large photos from his own journal, John details 13 different types of field investigations, noting their strengths and potential problem spots. For a teacher, this chapter alone is a full year of material (2-3 week units for each project) and the rest of the book could potentially be worked into each of these 13 projects. For an amateur naturalist, this chapter will provide at least a year's worth of projects that will open the door to a lifetime of investigation.
5. Inquiry Tool Kit is aptly named and another unique and valuable resource. Just as the following chapter will provide a list of physical supplies, this is a set of mental supplies that enable an amateur naturalist to unlock the beauty and mysteries of nature. I have never seen a resource like this, and as expected, the list is thorough and contains dozens of illustrations to show as well as tell.
6. Visual Thinking is a chapter on how to arrange the information you are collecting in the physical journal. He begins with a nod to the (insanely tedious) Grinnell Method, and then moves on to teach techniques for presenting information graphically. Unless you have taken college level science courses, you probably won't understand how unique and valuable this information is. We have all grown accustomed to slick infographics produced on the computer, but learning how to accomplish this in field journaling is an entirely different beast. This principle will also be approached later in the art section of the book under "Post-Hawk Composition" (nice pun, by the way!) One quick note here: the "Elements to Include in Your Journal" intended to be copied isn't photocopyable -- it lies next to the gutter and the background/text don't have enough contrast to photocopy well. I know from having hand copied this list off the blog how valuable it is to have once I'm in the field. Take the time to hand copy the list into your field notebook: you won't regret it!
7. The next 80 pages of the book are dedicated to art supplies and techniques. I have dozens of art books from years of home educating K-12. None of them compare to this section. He demonstrates how to use each technique or supply, but then goes on to show how to do full drawings using them in tandem. From color theory to edges to values, he succinctly shows how to capture your subject in a way that is scientifically accurate and artistically compelling. I especially appreciated that he gives specific brands and colors and then goes on to show how he uses that particular tool to best effect. If one tool performs substantially better than another, he call out the potential problem and shows an alternate technique. (Orange clouds on a blue sky aren't easily accomplished in watercolor, but work well with gouache, for example.)
8. The last half the book (the reason I originally purchased the book) is "how to draw" various plants, animals, weather, and landscape elements with step-by-step instructions. This half of the book alone is worth the price. John Muir Laws employs a method of teaching drawing/painting that allows students to catch scientifically unique features with a minimum of fuss. He is the master of simplifying the complex without losing important detail. His drawing style represents the perfect tension point between sketch and scientific illustration. When drawing snakes, he presents a scientific illustration of a snake done in a studio over the course of several days and then shows how to capture the same information in a field sketch. Fans of his blog and video classes will notice some of the details missing from these pages -- the clock trick for placing a bird head and tail, for instance. That change is balanced by the addition of clearer text instructions.

John and Emilie clearly demonstrate their love, passion, and experience with nature journaling throughout all three hundred pages of this book. Whether you've been following his blog for a couple of years or are new to the nature journaling world, this comprehensive guide is worth every penny. Teachers working with middle school and up will be able to create lesson plans centered around this resource with very little effort. (The blog contains an elementary level curriculum with complete lesson plans) Amateur naturalists will be ecstatic to find a resource that is entirely devoted to and illustrated with field work.

56 of 58 people found the following review helpful.
A wonderful book!
By S. Hunter
I ordered this book pre-publication and just received it last week. This is the best nature drawing book that I have. I was a scientific illustrator for 19 years and have quite a few nature drawing and illustration books. I love learning from other practicing artists and found Mr. Laws' you tube videos on line. I loved the way he taught and bought the book to support his work. This book is a very comprehensive and beautiful set of lessons that will enrich your life as well as improve your observational and drawing skills. In addition, your journaling will make a quantum leap in quality. This should be a text in every freshman high school science class. The students will be enriched, engaged, and become better students overall. As a former middle school and high school science and math teacher, I highly recommend this book to teachers and students. I only wish that I had had a book like this 40 years ago to use in my own classroom. A masterful work, Mr. Laws and Ms. Emilie Lygren, I congratulate you both.

74 of 76 people found the following review helpful.
A Resource Worth Investing In
By Jeannie D.
Mr. Laws has hit a home run with his newest publication! The sample journal pages that Laws shares are just stunning. He goes into extensive detail, encouraging readers to observe on a deeper level. He discusses the tools that he finds to be helpful for beginners and experienced journalers. He demonstrates step by step how to document nearly every aspect of Nature, so you can record your own nature observations- covering landscapes, insects, flowers, mammals, rocks, trees and much (much!) more. You will learn how to use watercolor paints, colored pencils, and more. His explanation of color mixing is a game changer for getting bright, clear colors in your journals.

If you are interested in documenting the things you observe in nature, even from your window, this is an excellent resource worth investing in.

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Minggu, 06 Juli 2014

[V516.Ebook] Fee Download Sustaining the Earth An Integrated Approach, by G. Tyler Miller

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Sustaining the Earth An Integrated Approach, by G. Tyler Miller

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Sustaining the Earth An Integrated Approach, by G. Tyler Miller

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Sustaining the Earth An Integrated Approach, by G. Tyler Miller

This book uses five sub-themes to show a path to a more environmentally sustainable society.

  • Sales Rank: #3420158 in Books
  • Published on: 2006
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: .57" h x 8.52" w x 10.84" l,
  • Binding: Paperback
  • 384 pages

Most helpful customer reviews

7 of 8 people found the following review helpful.
Environmental Science 101
By B. Scott
Here is a book that will give you all the basics of environmental science. Miller updates his book every 2 years, so the information is not only relevant, it's completely current. (Very difficult with such a fast paced topic.)
The book provides all the basic ground work for continuing to study or just be involved with what's going on in the environment.
There are chapters on basic science terms, population, energy, biodiversity, pollution, hazardous waste, economics and politics.
For example, if you want to know what the US Fish and Wildlife group has done historical, currently and what different groups would like them to do now and why, it's all in this book.
Absolutely fascinating reading for anyone who want's to know what all the noise is about our environment.

0 of 0 people found the following review helpful.
Three Stars
By Josh AZ
Used for school

2 of 10 people found the following review helpful.
Sustaining the Earth
By A Customer
Environmental preservation is such an important subject that it should be presented in a manner that anyone can understand. This book burries the reader, with it's run-on sentances, with mind boggling fact after mind boggling fact. The grammar was so bad that it ultimately stunted my motivation for reading the text not more than half way through. I reccomend looking elsewhere in order to educate yourself on bio-eccological concerns.

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[N120.Ebook] Ebook Download The Book of Silverton, by Local History Society Silverton

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The Book of Silverton, by Local History Society Silverton

  • Sales Rank: #9177125 in Books
  • Published on: 2000-11-30
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 160 pages

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The Book of Silverton, by Local History Society Silverton PDF