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In recent years, as part of the increasing “informationization” of industry and the economy, enterprises have been accumulating vast amounts of detailed data such as high-frequency transaction data in nancial markets and point-of-sale information onindividualitems in theretail sector. Similarly,vast amountsof data arenow ava- able on business networks based on inter rm transactions and shareholdings. In the past, these types of information were studied only by economists and management scholars. More recently, however, researchers from other elds, such as physics, mathematics, and information sciences, have become interested in this kind of data and, based on novel empirical approaches to searching for regularities and “laws” akin to those in the natural sciences, have produced intriguing results. This book is the proceedings of the international conference THICCAPFA7 that was titled “New Approaches to the Analysis of Large-Scale Business and E- nomic Data,” held in Tokyo, March 1–5, 2009. The letters THIC denote the Tokyo Tech (Tokyo Institute of Technology)–Hitotsubashi Interdisciplinary Conference. The conference series, titled APFA (Applications of Physics in Financial Analysis), focuses on the analysis of large-scale economic data. It has traditionally brought physicists and economists together to exchange viewpoints and experience (APFA1 in Dublin 1999, APFA2 in Liege ` 2000, APFA3 in London 2001, APFA4 in Warsaw 2003, APFA5 in Torino 2006, and APFA6 in Lisbon 2007). The aim of the conf- ence is to establish fundamental analytical techniques and data collection methods, taking into account the results from a variety of academic disciplines.

• Sales Rank: #6101621 in Books
• Published on: 2010-07-07
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x .90" w x 6.20" l, 1.40 pounds
• Binding: Hardcover
• 315 pages

Review

From the reviews:

“The conference organizers Misako Takayasu, Hideki Takayasu and Tsutomu Watanabe have collected in a volume the papers presented at the APFA 7 conference. … the volume provides a good guide to get information on current research conducted in Econophysics and to first approach extremely timely topics such as the role of bubbles in finance, systemic risk and the role of large amounts of data in research of economic and social complex systems.” (R. N. Mantegna, Il Nuovo Saggiatore, Vol. 27 (5-6), 2011)

About the Author

http://www.smp.dis.titech.ac.jp/en/index.php

http://www.ier.hit-u.ac.jp/English/faculty/watanabeT.html

http://www.sonycsl.co.jp/en/lab/frl/hideki-takayasu.html

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[M867.Ebook] PDF Download A Short Guide to Writing about Literature (12th Edition), by Sylvan Barnet, William E. Cain

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Part of Longman's successful Short Guide Series, A Short Guide to Writing about Literature�emphasizes writing as a process and incorporates new critical approaches to writing about literature.� The�twelfth edition continues to offer students sound advice on how to become critical thinkers and enrich their reading response through accessible, step-by-step instruction. �

• Sales Rank: #243444 in Books
• Published on: 2011-07-08
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x 1.20" w x 5.50" l, 1.00 pounds
• Binding: Paperback
• 408 pages

From the Inside Flap
Preface

Favorable response to the sixth edition has allowed me to revise the book again. Many changes have been made throughout, but the most obvious are:

The increased amount of writing by students— annotations, preliminary notes, entries in journals, drafts, and complete essays Amplified checklists with questions that writers can ask themselves in order to generate ideas for essays Amplified discussions of current critical approaches, for example, Gender (Feminist, Gay and Lesbian) Criticism, Myth Criticism, New Historicism Chapters on What Is Literature?, What Is Interpretation?, and What Is Evaluation? Bibliographic suggestions concerning criticism and interpretation Suggestions about writing with a word processor

Part One (four chapters emphasizing the close connection between reading and writing) assumes that we can't write well unless we can read well. If nothing else, we must be able to read our own prose thoughtfully. Reading, after all, is a way of getting ideas for writing. These early chapters emphasize the importance in the writing process of such activities as annotating a text, brainstorming, keeping a journal, and (especially) asking oneself questions in order to generate ideas. (Oddly, these activities are often called "pre-writing," but in fact they are part of the process of writing.) Explication and analysis are discussed and illustrated with examples.

Part Two, on thinking critically about literature, is almost entirely new to the book. It looks at some definitions of literature, considers the relationships among interpretation, meaning, and evaluation, and then offers a survey of some of the chief critical approaches.

Part Three, on writing about essays, fiction, poetry, drama, and film, introduces the reader to the elements of each genre, but looks back to Part One and provides some drafts and essays by students on representative works. In accordance with the assumption in Part One that asking questions is an invaluable way of getting ideas, each chapter on writing about a genre concludes with a checklist of questions that readers may ask themselves as they read, reread, and think about a work.

Part Four contains three chapters. The first of these, "Style and Format," is a fairly short and direct approach to the elements of clear writing. It treats such matters as denotation, connotation, subordination, paragraphing, and so forth. The latter part of the chapter, devoted to manuscript form, is concerned chiefly with mechanical matters, ranging from the form of the title of an essay to advice on how to introduce quotations. The second chapter in this section, "Writing a Research Paper," includes material on discovering a topic and thesis, on finding material (not only through printed bibliographic guides but also through materials on line and on disc), on using a word processor in writing a research paper, and on the MLA system of documentation. The third chapter briefly discusses essay examinations.

Three appendixes conclude the book: The first includes two stories ("Araby' and "The Lottery") that are the subjects of student essays, the second provides a glossary of literary terms, and the third offers a checklist for writing with a word processor.

I hope that the preceding remarks adequately describe the scope of the book, but some further words must be added. Dr. Johnson said,

There is not so poor a book in the world that would not be a prodigious effort were it wrought out entirely by a single mind, without the air of previous investigators.

I cannot name all of the previous investigators who have helped shape my ideas about literature, about writing about literature, and about teaching writing, but I must acknowledge my indebtedness to Morton Berman, William Burto, and Marcia Stubbs, who never tire of improving my pages, to Lee Edelman, who contributed part of the discussion of gay and lesbian criticism, and (at HarperCollins) to Robert Ginsberg, Judith Leet, and Lisa Moore. Others, who offered valuable help when I revised earlier editions, include Rebecca Argall, James Blake, Randall Brune, David Cavitch, Warren Chelline, Charles Christensen, William Evans, Shearle Furnish, Bruce Golden, Okey Goode, Patricia Graves, Dean Hall, James Heldman, Deena Linnett, William T Liston, Janet Madden, Gratia Murphy, J. M. Pair, Diane Quantic, Virginia Shale, Isabel Bonnyman Stanley, and Tom Zaniello.

When I thought that the manuscript for this edition was in satisfactory shape, the publisher sent it to the following reviewers, all of whom offered valuable suggestions that I have now incorporated into the text: Ann Andrews, Mississippi State University; Robert Evans, Auburn University at Montgomery; Sarah Favors, South Carolina State University; Anita Obermeier, Arizona State University; Judy Stokes, Southside Virginia Community College; Juanita Smart, Washington State University; Christopher Thaiss, George Mason University; and Susan Wing, University of Nebraska Lincoln. One other reader of the manuscript must be singled out for special mention, William Cain of Wellesley College, once my student and now my teacher. His abundant and penetrating annotations of the manuscript have amply repaid me for whatever annotations I put, years ago, on his undergraduate essays.

SYLVAN BARNET

From the Back Cover

New features of this edition include: chapters on critical approaches and evaluation of literature expanded checklists for writing and reading a new sample research paper the most current MLA guidelines

Most helpful customer reviews

21 of 21 people found the following review helpful.
Useful for Non-Majors
By David S. Goldstein
I teach literature to undergraduate students majoring in interdisciplinary arts and sciences, business, computer science, and nursing. Since I can't count on them having had training in writing about literature, I often assign specific sections of this text, or make it recommended reading for students with less confidence in writing about literature.

My students almost universally praise this text, and I think *their* opinions, rather than those of us teachers, are the ones that really count. They find the specific, nuts-and-bolts suggestions useful, and the explanations clear and helpful.

I recommend this text to any student (high school or college) who wants a concise guide to writing about literature, and any teacher or professor whose students usually lack a solid background in literary study.

5 of 7 people found the following review helpful.
Updated Edition is (Slightly) Better
By L. G. Sincebaugh
The back of the 11th edition gives five reasons why this edition is better than the other ones. I disagree that the 11th edition is that much better than the 9th edition, which I also have. The paper cover of the 11th edition feels flimsier and weaker.

The back of the 11th edition claims there are five (good) reasons exclusive to the 11th edition as to why you should buy it. The written explanation for the first reason could be both simpler and clearer: "A new introduction in Chapter 1 explains writing as a process in which you argue with--and ultimately explain something to--yourself." Arguing with yourself does not sound either safe nor advisable, especially if you are having a bad day. Explaining things to yourself sounds like one needs help of the non-literary kind.

Reason number two sounds good: "An updated chapter on print and electronic research [offering] advice..." This is nothing new, but why shouldn't the reader benefit from another's digital wisdom? The amount of digital information available on the Web grows exponentially faster than one can keep up with.

Reason number three (sounds like door number three) is from the more is better paradigm: Twenty model student essays--including three new to this edition... This is a very good feature of this writing guide. I never counted how many there were in the 9th edition, but in this case, more is better. Generally, I have found the example essays, analysis and explications to be of great help, except for the section on meter, which I found just as difficult as the 9th edition's explanation.

Reason number four: "Updated bilographical references..." More of the more is better paradigm. Can't complain with that.

Reason number five (the last one): "New and expanded 'Rules for Writing...'" Almost every How to Write book or textbook I have looked at contains a section like this, so, I have to say this is nice but nothing really new.

I gave this new edition four stars out of five. The first reason didn't make sense and, I thought, needed re-writing to be clearer thus more helpful and/or convincing. The real reason for why you, or anyone else should buy this book, is that it is very good at taking a subject, which can be made as complex or as simple as you desire, and breaking it down into smaller, more productive and clearer steps, which should help you write better. I recently bought two copies of the 11th edition, one of which I gave to a student, and the other, I have to admit--I kept for myself. And that is my second reason for why you should buy this book. It is good enough, even though the 9th edition was not broken and needed repair, that I bit the bullet and kept a copy for myself. This is one of the more helpful reference and How to Write, self-help books available.

P.S. I was not an English major and this book series did a very good job at answering most of the questions I have and have had.

3 of 4 people found the following review helpful.
A mostly good intro. to college writing/literature
By R. Ferrell
"A Short Guide to Writing about Literature" is a good little introduction to college-level writing skills and literature that is often taught at the college level. Helpful for those who struggle with writing, but not necessarily useful to individuals who already have good writing skills. The biggest drawback is the constat "you can do it!" attitude. Could be helpful to some who need that extra push, but I found it a little demeaning.

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[J370.Ebook] PDF Ebook A Treasury of Great Recipes, 50th Anniversary Edition: Famous Specialties of the World's Foremost Restaurants Adapted for the American Kitc

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"A collectible classic. With his cookbook in print again, Vincent Price lives on." — NPR
"The rare cookbook that is still relevant." — Zanne Early Stewart, former editor, Gourmet
"I think the recipes in this cookbook are classic and still resonate with Americans today." — Chef Thomas Keller, Per Se and Bouchon restaurants
"The Proust in all of us will relish the profiles of ghosts like Le Pavillon and the Forum of the Twelve Caesars in New York, the original La Pyramide in France and Bali in Amsterdam." — The New York Times
"Good cooking is where you find it," according to the authors of this unique collection, whose international smorgasbord ranges from the haute cuisine of Europe's finest restaurants to the juicy hot dogs at Dodger Stadium. In perhaps the first celebrity cookbook, famed actor Vincent Price and his wife, Mary, present mouthwatering recipes from around the world in simplified, unpretentious forms that anyone can make and enjoy. Selected from London's The Ivy, Madrid's Palace Hotel, New York's Sardi's, and other legendary establishments, the recipes are accompanied by witty commentaries, while color photos and atmospheric drawings by Fritz Kredel make this one of the most beautiful books of its kind. Includes a Retrospective Preface by the couple's daughter, Victoria Price, and a new Foreword by Wolfgang Puck.
"A perfectly preserved snapshot of food culture in 1965. Price used his considerable resources to collect extraordinary dining experiences across the U.S., Mexico, and Europe, and then documented and opined like a madman." — Saveur
"The real joy of A Treasury of Great Recipes is the way it transports you to another world." — The New York Journal Review of Books

• Sales Rank: #129360 in Books
• Brand: Vincent Price Mary Price
• Published on: 2015-10-09
• Released on: 2015-08-14
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 11.10" h x 2.20" w x 8.40" l, 5.85 pounds
• Binding: Hardcover
• 512 pages

Features

• Includes a dust jacket

From the Back Cover
"Good cooking is where you find it," according to the authors of this unique collection, whose international smorgasbord ranges from the haute cuisine of Europe's finest restaurants to the juicy hot dogs at Dodger Stadium. In perhaps the first celebrity cookbook, famed actor Vincent Price and his wife, Mary, present mouthwatering recipes from around the world in simplified, unpretentious forms that anyone can make and enjoy. Selected from London's The Ivy, Madrid's Palace Hotel, New York's Sardi's, and other legendary establishments, the recipes are accompanied by witty commentaries, while color photos and atmospheric drawings by Fritz Kredel make this one of the most beautiful books of its kind. Includes a Retrospective Preface by the couple's daughter, Victoria Price, and a newForeword by Wolfgang Puck.
A Calla Edition, originally published by Ampersand Press, Inc., New York, 1965."

About the Author
American actor Vincent Price (1911–93) was well known for his distinctive voice and serio-comic performances in horror films from the latter part of his career. He and his wife, costume designer Mary Grant Price (1917–2002), were avid art collectors and gourmets.

Most helpful customer reviews

25 of 25 people found the following review helpful.
Classic cookbook
By C. Fanelli
So far I've only tried one recipe from here - the vichyssoise - and it was very easy and very delicious. I'm a huge fan of Vincent Price and after hearing a lot about the original print of this book I wanted a copy of my own. I'm looking forward to making a lot more recipes, and I've enjoyed getting a glimpse into the Price's home and travels. I also enjoyed the extra charts and tables included, such as the conversions/substitutions and calorie charts.

24 of 26 people found the following review helpful.
I recommend you know A LOT about classic French cuisine and technique before buying this book.
By R. J. Pooley Jr.
This is STUNNING book, visually, culturally, personally but technically is VERY difficult. I love it but I can do a lot in the kitchen and am semi-professionally trained. If you are not comfortable in the kitchen you will love reading it and may try a few recipes but don't be upset when you realize the author assumes a lot of knowledge about cooking in the reader. Having said that, it's a fantastic book.

1 of 1 people found the following review helpful.
So Glad I Purchased This
By zess
Arrived in great condition and as stated in description. What an interesting and unique cookbook by two amazing people! I'm really enjoying reading this treasury of global recipes, restaurant menus, and photos of said restaurants. The Prices' enthusiasm for extraordinary food and it's presentation is infectious. I was only eight years old when this was published and am loving seeing through their eyes what their world was like and those places they visited. I've even researched the featured restaurants and found that many are still in business even though they may be under different ownership or different names and have also compared the book's photos with the current online photos. Some have changed drastically and others not as much. But it's been fun to see these changes and sad to know that some of these restaurants eventually closed. And as for the Prices' promise that extraordinary food can be served in our homes without difficulty or "busting" our budgets seems to hold true. Which makes this cookbook such a great addition to anyone's kitchen.

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[O610.Ebook] PDF Ebook Stan Weinstein's Secrets for Profiting in Bull and Bear Markets, by Stan Weinstein

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This digital document is an article from Mid-Atlantic Journal of Business, published by Stillman School of Business on May 1, 1989. The length of the article is 708 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Secrets for Profiting in Bull and Bear Markets. (book reviews)
Author: James S. Gould
Publication: Mid-Atlantic Journal of Business (Refereed)
Date: May 1, 1989
Publisher: Stillman School of Business
Volume: v25 Issue: n7 Page: p89(2)

Article Type: Book Review

Distributed by Thomson Gale

• Sales Rank: #437856 in Books
• Brand: Brand: Richard D Irwin
• Published on: 1988-03
• Original language: English
• Number of items: 1
• Dimensions: 9.06" h x 1.42" w x 5.91" l,
• Binding: Hardcover
• 220 pages

Features

• Used Book in Good Condition

About the Author
McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide

Most helpful customer reviews

6 of 6 people found the following review helpful.
Truly incredible. The absolute best do-it-yourself guide to trading equities there is.
By Sheldon W Thomas
As someone who does not generally write reviews for things on the internet, I felt so compelled at the sheer raw value offered to me by this book in exchange for so little money that I had to come here and write about it myself.
The quintessential essence of Stan Weinstein is that it's concepts are both generalized yet hyper specific. He doesn't care what sector, what stock, what software, what formula, or what cycle, but he teaches you fundamentally the four stages that publicly traded assets go through. His hyper specificity lies in his ability to show you how to identify which stage a stock is in, and which stage it is heading to next. And he does it using formulas and calculations so simple they can be done with any modern trading software. And it is brilliant. The intelligence of this book is actually applicable outside stock-picking, although it is presented in that context. Larger economic, social, and fundamentally-human trends follow the same hilariously simple yet mind bending 4 damn parts of a pattern.
I've read every page of this book and it's turned me from shooting blind in a losing portfolio to consistent gains.
As with any learning process, it takes time. The steps are simple. Set your self up with the requisite software. Read every page of this book, vigorously, deeply understand it, memorize the techniques, and take the quizzes over and over until you can recite the chart-reading ruleset by heart.
And you will see my friend, the truth is out there.

8 of 8 people found the following review helpful.
THE Technical Analysis Reference!
By O. Halabieh
Below are key excerpts from the book that I found particularly insightful:

1- "After having mad plenty of mistakes, I've learned how to decipher the very obvious clues that the market gives us and then tactically respond to a given situation. I'm going to teach you a new set of stock market rules that will make the market much less stressful and far more profitable for you. These rules won't have you pouring over balance sheets or listening to some company spokesman drone on about his firm's progress toward higher returns on shareholders' equity. These rules will require that you do two things: control your own greed and fear, and find and decipher the obvious clues that the market tosses your way."

2- "Therefore, your philosophy should be simple: 1. Never buy or sell a stock without checking the chart. 2. Never buy a stock when good news comes out, especially y if the chart shows a significant advance prior to the news release. Never buy a stock because it appears cheap after getting smashed. When it sells off further, you'll find out that cheap can become far cheaper! 3. Never buy a stock because it appears cheap after getting smashed. When it sells off further, you'll find out that cheap can become far cheaper! 4. Never buy a stock in a downtrend on the chart (I'll soon show you specifically how to define a downtrend). 5. Never hold a stock that is in a downtrend no matter how low the price/earnings ratio. Many weeks later and several points lower, you'll find out why the stock was going down. 6. Always be consistent. If you find that you're sometimes buying. sometimes selling in practically identical situations, then there is something terribly wrong with your discipline."

3- "Any stock has to be in one of four market stages, and the trick to be able to identify each one. The four stages of a major cycle. as illustrated in Chart 2-1 are: (1) The basing area, (2) the advancing stage, (3) the top area, and (4) the declining stage."

4- "There is never an investment—whether it be stocks gold, real estate, gems, or Naugahyde futures—that is a "buy it and forget it" situation. All investments go through cycles, and When you hold through the down part of the cycle (Stage 4) you suffer both financially and emotionally."

5- "After years of observing and studying market cycles, there is absolutely no doubt in my mind that sector analysis is just as important as overall market timing. In fact, in certain markets it is even more important."

6- "There definitely is! While no system will ever be a perfect forecaster of the future, we can learn some simple rules that will put the probabilities of success strongly in a our favor...THE LESS RESISTANCE THE BETTER...THE IMPORTANCE OF VOLUME..never trust a breakout that isn't accompanied by a significant increase in volume...IT'S ALL RELATIVE The next important factor to check out when narrowing down our list of potential buys is the relative strength (RS). This is a measure of how a stock is acting in relation to the overall market...If the relative strength is n good shape and improving and all other criteria are positive, then go for it. But absolutely never buy a stock, no matter how good the other factors, if the relative strength is in negative territory and it remains in poor shape."

7- "QUICK REFERENCE GUIDE ON BUYING...Check the major trend of the overall market. • Uncover the few groups that look best technically. Make a list of those stocks in the favorable groups that have bullish patterns but are now in trading ranges. Write down the price that each would need to break out. • iNarrow down the list. Discard those that have overhead resistance nearby. Narrow the list further by checking relative strength. Put in your buy-stop orders for half of your position for those few stocks that meet our buying criteria. Use buy-stop orders on a good-'til-canceled (GTC) basis. If volume is favorable on the breakout and contracts on the decline, buy your other half position on a pullback toward the initial breakout. If the volume pattern is negative (not high enough on breakout), sell the stock on the first rally. If it fails to rally and falls back below the breakout point, immediately dump it."

8- "STAN'S DON'T COMMANDMENTS...Don't buy when the overall market trend is bearish. * Don't buy a stock in a negative group. Don't buy a stock below its 30-week MA. Don't buy a stock that has a declining 30-week MA (even if the stock is above the MA). • No matter how bullish a stock is, don't buy it too late in an advance, when it is far above the ideal entry point. • Don't buy a stock that has poor volume characteristics on the breakout. If you bought it because you had a buy-stop order in, sell it quickly. Don't buy a stock showing poor relative strength. •Don't buy a stock that has heavy nearby overhead resistance. • Don't guess a bottom. What looks like a bargain can turn out to be a very expensive Stage 4 disaster. Instead, buy on breakouts above resistance."

9- "DON'TS FOR SELLING 1. Don't base your selling decision on tax considerations...2. Don't base your selling decision on how much the stock is yielding...3. Don't hold onto a stock because the price/earnings (PIE) ratio is low...4. Don't sell a stock simply because the PIE is too high...5. Don't average down in a negative situation...6. Don't refuse to sell because the overall market trend is bullish...7. Don't wait for the next rally to sell...8. Don't hold onto a stock simply because it is of high quality."

10- "This increased volatility in the stock market is a two-edged sword. On the positive side, it gives us a chance to make money even faster. The downside is that when a reversal occurs, your stock can move from Stage 2 into Stage 3 far more quickly. This is especially true if it's one of the overly loved institutional favorites. These issues can really change direction in a hurry when bad news comes out and the institutional herd starts to panic. The way to protect yourself is by using a sell-stop order."

11- "Don't waste your time trying to determine if trading or investing is the best way to make money. There is no one best way; either approach can lead to success if skillfully applied. Instead, give some thought to understanding the kind of person you are and which approach you'd be comfortable with. Use a little introspection to find out what cloth you're cut from, and then become the best damned investor or trader that you can be! It leads to disaster if you decide to invest, but then get so angry because your stock dropped six or seven points that you end up dumping it just before the next upleg. So have an honest talk with yourself. If you obviously belong in one area or the other, then get there. Interestingly, there really are a number of market players who are in the middle ind can adopt either approach. If you fall into this category, I suggest a mixed approach."

12- "SUMMARY OF SHORT-SELLING DON'TS Don't sell short because the P/E is too high. Don't sell short because the stock has run up too much. • Don't sell short a sucker stock that everyone else agrees must crash. • Don't sell short a stock that trades thinly. Don't sell short a Stage 2 stock. Don't sell short a stock in a strong group. Don't sell short without protecting yourself with a buy-stop order."

13- "When a truly one-sided opinion really grabs the Street, it becomes so heavy you can almost cut it with a knife. One other word caution: I disagree with those who believe that contrary opinion alone is enough. Not true. I view CO as a psychological potential. just as the price/dividend ratio represents a value potential. Neither one should ever make you buy or sell stocks if all the timing gauges disagree. When CO gets the agreement of the other technical tools, then get set, because a big market move is getting ready to unfold."

14- "Here are the proper ways to increase your probability of success (Options)...Buy a call option only on a stock that is in Stage 2 or is moving into Stage 2...2. Buy only an option that has big potential...3. Give yourself a reasonable amount of time before expiration...4. Buy an option that is close to the striking price and, if possible, in the money...5. Use a very tight protective stop on your option positions."

4 of 4 people found the following review helpful.
A Good Place to Start
By Laura
4 1/2 stars. I bought this book used through Amazon, on the recommendation of my cousin, who's a stock broker. He said it would be a really good place to begin my education on making TRADES rather than INVESTMENTS. He was totally right. I'm a person whose experience with investing was limited to a diversified portfolio of 9 different index funds. I never lost any money over the years, but I never beat the market, either. Suddenly, at 39, I was disabled by disease during my prime working years. I realized I have to step up my game and take on a little more risk for more return if I want to remain financially independent. I had to rethink my whole investment strategy because my life circumstances had suddenly and drastically changed. This book taught me the basics of how to make intelligent choices about taking those financial risks. I now feel comfortable reading stock charts and using that information to time my buys and sells and set stops. I feel comfortable stretching my wings a little and buying ETFs and individual stocks, rather than index funds. I even know the proper way to short a stock. Can I pick the next Google out of all the stocks available on the NYSE? Hell, no - even though that's what this book claims to be able to teach you how to do. Look, you can't expect to go from absolute beginner to superstar trader overnight. What I can do, though, is confidently analyze any tip or suggestion that comes my way and feel reasonably comfortable with my decisions. In other words, this book has given me the necessary tools to take the first step into the world of short-term trading, rather than long-term investing. Wish me luck!

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[D882.Ebook] PDF Download Mobile Lives (International Library of Sociology), by Anthony Elliott, John Urry

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How should we understand the personal and social impacts of complex mobility systems? Can lifestyles based around intensive travel, transport and tourism be maintained in the 21st century? What possibility post-carbon lifestyles?

In this provocative study of "life on the move", Anthony Elliott and John Urry explore how complex mobility systems are transforming everyday, ordinary lives. The authors develop their arguments through an analysis of various sectors of mobile lives: networks, new digital technologies, consumerism, the lifestyles of ‘globals’, and intimate relationships at-a-distance. Elliott and Urry introduce a range of new concepts – miniaturized mobilities, affect storage, network capital, meetingness, neighbourhood lives, portable personhood, ambient place, globals – to capture the specific ways in which mobility systems intersect with mobile lives.

This book represents a novel approach in "post-carbon" social theory. It will be essential reading for advanced undergraduate students, postgraduates and teachers in sociology, social theory, politics, geography, international relations, cultural studies, and economics and business studies.

• Sales Rank: #850312 in Books
• Published on: 2010-07-11
• Released on: 2010-05-14
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .47" w x 6.14" l, .75 pounds
• Binding: Paperback
• 208 pages

Review

'This book is a major study by any reckoning. In analysing spatial mobility and the impact of electronic communication on a global scale the authors develop a penetrating account of the origins of the crisis of sustainability in world society. It is like reading J.G. Ballard, but with fact replacing fiction' ―Professor Lord Anthony Giddens, London School of Economics, UK

'This world of ours here and now, the world of ‘mobile lives’, as Elliott and Urry aptly and pertinently call it, differs sharply from the one which those older among us wistfully or sorrowfully, but always vividly, remember from the not-that-distant past, while the young among us find difficult to comprehend, let alone imagine. Both generations find it equally difficult, even if for opposite reasons, to make sense of the new reality that engulfed their present life unaccompanied with a language fit to report their experience of being-in-it and to make sense of it in a way making suitable for mutual communication. Elliott and Urry make a gigantic step towards composition and codification of badly missing thus far grammar and vocabulary of such language; we all owe them deep gratitude for the enormous volume of research and thought necessary for that task, as daunting as it is urgent, to be performed' ―Zygmunt Bauman, Professor Emeritus at the Universities of Leeds, UK, and Warsaw, Poland

'John Urry and Anthony Elliott are, respectively, first among leaders of sociology in the UK and Australia. Together, in Mobile Lives, they demonstrate just how strongly other-than-US Anglophone sociology has come to dominate the world of forward looking social thought'�―Charles Lemert, the John E. Andrus Professor of Sociology, Wesleyan University, USA

'The book succeeds brilliantly in capturing the fluidity and lure of our deeply problematic contemporary mobilities. The costs and benefits of our mobile lives are revealed by the authors with an unusually sharp eye' ―Professor Helga Nowotny, ETH Zurich, Switzerland

'Mobile Lives superbly captures the paradox of modern life. Just as we sit and surf the net, we travel to connect with others. This well-written, authoritative book shows how we're out of villages and into networks' ―Barry Wellman, S.D. Clark Professor of Sociology, University of Toronto, Canada

'Overall, a deeply informed, challenging exploration of global networks, mobility, and new forms of individuation.' ―Highly Recommended in CHOICE review by K. T�l�lyan, Wesleyan University

'...written in an erudite but highly accessible style, providing rich description of twenty-first century mobile lives...this volume demonstrates the success of the authors' assertion that the mobilities paradigm can be extended to analyse the formation of identity and the experience of everyday life.'
-Jo Whitehouse-Hart in Free Associations, No 62, Sept 2011

About the Author

Anthony Elliott is Chair of Sociology at Flinders University, Australia, and Visiting Research Professor at the Open University, UK. His recent books include Contemporary Social Theory: An Introduction (2009), The New Individualism 2nd Edition (with Charles Lemert,�2009), The Routledge Companion to Social Theory (editor, 2010) and Globalization: A Reader (co-editor, 2010) – all published by Routledge.

John Urry is Distinguished Professor of Sociology at Lancaster University, UK, where he is Director of the Centre for Mobilities Research. His recent books include Mobile Technologies of the City (co-editor, Routledge, 2006), Mobilities (Polity, 2007), Aeromobilities (co-editor, 2009), After the Car (co-author, Polity, 2009) and Mobile Methods (co-editor, 2010).

Most helpful customer reviews

0 of 0 people found the following review helpful.
Meetingness, affect storage and miniaturised mobilities
By Isidro Maya Jariego
Es un libro irregular. Combina cap�tulos excelentes con otros m�s flojitos. Por un lado, es interesante la tipolog�a de movilidad y el uso de narraciones noveladas para describir las nuevas pautas de desplazamiento internacional. Tambi�n es muy creativo desde el punto de vista conceptual: introduce ideas sugerentes tales como "meetingness", apoyo a distancia, miniaturizaci�n de las movilidades o almacenamiento del afecto ("affect storage"). Sin embargo, esta descripci�n de la movilidad se completa con un an�lisis de la ansiedad, de base psicodin�mica, que no est� muy integrada con la teor�a sociol�gica que inspira el resto de la obra. El cap�tulo final, con la metodolog�a de escenarios para estudios prospectivos, tambi�n parece desconectada del resto.

0 of 0 people found the following review helpful.
Life on the move
By Pedro Demo
Modern life has changed a lot, particularly driven by new technologies. We need a new sociology, that can understand our new social world. However, the book stresses too much characteristics of a still little part of this world: people who are already immersed in media, work therein, organize their lives virtually. There is an elite who arranjes its life technologically, but there is another big world aside, whose life is not "mobile". The book's greatest value is pioneering this kind of sociology.

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This award-winning contemporary classic is the survival story with which all others are compared—and a page-turning, heart-stopping adventure, recipient of the Newbery Honor.

Thirteen-year-old Brian Robeson is on his way to visit his father when the single-engine plane in which he is flying crashes. Suddenly, Brian finds himself alone in the Canadian wilderness with nothing but a tattered Windbreaker and the hatchet his mother gave him as a present—and the dreadful secret that has been tearing him apart since his parent’s divorce. But now Brian has no time for anger, self pity, or despair—it will take all his know-how and determination, and more courage than he knew he possessed, to survive.

• Sales Rank: #2975 in eBooks
• Published on: 2009-08-21
• Released on: 2009-08-25
• Format: Kindle eBook

From Publishers Weekly
This Newbery Honor book is a dramatic, heart-stopping story of a boy who, following a plane crash in the Canadian wilderness, must learn to survive with only a hatchet and his own wits. Ages 12-up.
Copyright 1988 Reed Business Information, Inc.

From School Library Journal
Grade 8-12 Brian Robeson, 13, is the only passenger on a small plane flying him to visit his father in the Canadian wilderness when the pilot has a heart attack and dies. The plane drifts off course and finally crashes into a small lake. Miraculously Brian is able to swim free of the plane, arriving on a sandy tree-lined shore with only his clothing, a tattered windbreaker, and the hatchet his mother had given him as a present. The novel chronicles in gritty detail Brian's mistakes, setbacks, and small triumphs as, with the help of the hatchet, he manages to survive the 54 days alone in the wilderness. Paulsen effectively shows readers how Brian learns patienceto watch, listen, and think before he actsas he attempts to build a fire, to fish and hunt, and to make his home under a rock overhang safe and comfortable. An epilogue discussing the lasting effects of Brian's stay in the wilderness and his dim chance of survival had winter come upon him before rescue adds credibility to the story. Paulsen tells a fine adventure story, but the sub-plot concerning Brian's preoccupation with his parents' divorce seems a bit forced and detracts from the book. As he did in Dogsong (Bradbury, 1985), Paulsen emphasizes character growth through a careful balancing of specific details of survival with the protagonist's thoughts and emotions. Barbara Chatton, College of Education, University of Wyoming, Laramie
Copyright 1987 Reed Business Information, Inc.

Review
"This is a spellbinding account...a winner."
-- Kirkus Reviews, starred review

"Riveting."
-- Booklist, starred review

Most helpful customer reviews

16 of 16 people found the following review helpful.
Beware for Younger Readers!
By Calebini
I am a grandmother with small granddaughters, one of whom is a very precocious reader. She is in first grade, and I ordered Hatchet with another book, which she fortunately became interested in. In a fit of boredom, I picked up the book that was left at my house. I was tremendously relieved she had not taken Hatchet to begin it, without the knowledge of me or her parents! I do not think it would have been appropriate for her, at the age of 7. I will be placing it in an unobtrusive location, to wait for her to read when she is a couple years older.

I find it interesting that not a single review I found mentioned at the start, when the pilot of the small aircraft dies mid-flight, the process is very specifically detailed--the odor, the vision of his face as he dies. Additionally, Brian is angry about his mother, and her extra-marital affair--this book is significantly more explicit about adult problems than most children's literature that is written for 3rd and 4th graders. I thought, the Force was with me! I cannot imagine my granddaughter reading this book now. The lesson I learned, is to peruse books I'm not familiar with before I hand them over--I am writing about a little girl whose mother read portions of The Yearling to her at age 5, when she begged and pleaded, and sat attentively throughout! (my daughter said she "edited" as she read the book) For younger readers, I'd advise parental supervision, and discussion of the issues detailed in The Hatchet, if your child is ready for it.

1 of 1 people found the following review helpful.
A great lesson on perseverance
By munjey86
I read this book in elementary school back in 1995-1996. I'm re-reading it and so far it has held up well.

As a kid, this book gave me an appreciation for the outdoors and surviving in the world when the odds are stacked against you. A great lesson on perseverance.

It also instilled an idea in my mind to not take everyday commodities and experiences for granted.

I loved Gary Paulsen's books as a child, and the other Hatchet books in this series are great, too. I just discovered writing this review that there is now a 5th book.

0 of 0 people found the following review helpful.
Memories :) Good read :)
By Joy
I read this book a few times in middle school and just re-read it for a challenge. It isn't my usual read, but just as I had in childhood, I really enjoyed this book. The way the author brings the character to life, and his troubles, has always stuck with me.

It's never failed to remind me to take a moment and really look around at the life that's around us.

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Visible | Invisible presents the work of Boston-based landscape architecture firm Reed Hilderbrand. Led by founding principals Douglas Reed and Gary Hilderbrand, the firm is widely recognized for rigorously conceived and carefully executed projects that merge the particular native qualities of a site with recognizably contemporary design expression. Their work embodies a deep embrace of modernism, a devotion to intellectual traditions in their field and a rich engagement of horticulture and ecological systems. The book examines a range of 40 public and private commissions in cities and rural settings, including institutional campuses, residences and urban regeneration projects such as the Arnold Arboretum of Harvard University; Bennington College, Bennington, VT; Duke University, Durham, NC; Poetry Foundation, Chicago; Kauffman Center for the Performing Arts, Kansas City, MO; Clyfford Still Museum, Denver; Dallas Museum of Art; Phoenix Art Museum; and the redevelopment of portions of the South Boston waterfront. An introduction by Hilderbrand and Reed reflects on the firm’s 20-year evolution, and essays by noted scholars develop themes that recur in the work. The book opens with an extensive photographic essay by Millicent Harvey and concludes with 60 full-page plans. Internationally renowned landscape architect Peter Walker contributes a preface. Elegantly designed and beautifully produced, Visible | Invisible is ideal for landscape architects, architects, preservationists, landscape photographers, and anyone who appreciates truly beautiful books.

• Sales Rank: #534856 in Books
• Brand: Brand: Metropolis Books
• Published on: 2013-01-31
• Original language: English
• Number of items: 1
• Dimensions: 11.30" h x 1.60" w x 9.50" l, 5.10 pounds
• Binding: Hardcover
• 376 pages

Features

• Used Book in Good Condition

Review
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The work of Boston-based landscape architecture firm Reed Hilderbrand is widely recognized for merging a site's native qualities with contemporary design. This book examines a range of 40 public and private comissions in cities and rural settings, and includes a preface by reknowned landscape architect Peter Walker. (Tali Jaffe Cultured)

About the Author
Peter Walker

Most helpful customer reviews

0 of 0 people found the following review helpful.
Two Stars
By b garden
Projects all started to look the same.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
book for detail design

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